REVIEW: Cradle Song (Te Rēhia Theatre)
[The Woman in White] Albert Belz’s Cradle Song adheres closely to the tried and true tropes of the horror genre: vengeful spirits, religion, a creepy setting, stranded youngsters making bad decisions. While offering little subversion for any diehard horror aficionados, there is great pleasure in watching a difficult genre handled expertly on stage. This is not the first time Belz […]