SCENE BY JAMES: 2023 – A Theatrical Year in Review [Part 1: The Issues]

December 30, 2023

The good news: For the first time in four years, 2023 was marked by the absence of widespread disruption and cancellations of performing arts events caused by the Covid-19 pandemic. Buoyed by Government investment, festivals were back in force up and down the country. There were plenty of sold out shows. Theatre is back, baby! The not-so-good news: Extreme weather […]

SCENE BY JAMES: 2022 – A Theatrical Year in Review [PANDEMIC EDITION YEAR THREE]

December 31, 2022

[THE DEEPENING CRISIS] On April 13th 2022, New Zealand said goodbye to gathering restrictions. When we moved from the Red to Orange Covid-19 traffic light setting, live performance could go ahead without any capacity limits for the first time in months. Later in the year we’d say goodbye to the entire traffic light protection framework. With boosters and antivirals, we […]

Going to the theatre should be a low-risk activity. We need to make our live performance venues as Covid-safe as possible.

July 18, 2022

Universal masking and high-quality ventilation can mitigate the risk of Covid transmission in live performance venues, but Covid safety has been slipping over the past months. James Wenley audits the measures that theatre venues across the country currently have in place, and argues that the live performance sector needs to take a stronger lead in promoting public health. Let’s start […]

Orange is the New Red: New Zealand Theatre and Performance under Orange

May 4, 2022

Yesterday I launched a new timeline feature tracking the impact of Covid-19 on Aotearoa New Zealand theatre and performance from 2020 till today. One major milestone was on 13th April 2022, when the country moved into the Orange traffic light setting. For the first time in months (and many months in Auckland’s case), live performance can go ahead without any […]

Launching Aotearoa New Zealand Theatre and Covid-19: A Timeline

May 3, 2022

Today Theatre Scenes is launching a timeline tracking the impact of Covid-19 on Aotearoa New Zealand’s theatre and performance ecology from the beginning of 2020 till today. This is the first public feature of a two-year research project ‘Growing Aotearoa’s Theatre Ecology: Sustainability, Resilience and Opportunities in the Pandemic Environment’. This theatre ecology project seeks to understand the impact of […]

SCENE BY JAMES: 2021 – A Theatrical Year in Review [PANDEMIC EDITION YEAR TWO]

December 31, 2021

[Weathering the Storm] On the 20th April, 2021, the Prime Minister, the Deputy PM and Aotearoa’s leading epidemiologist converged at BATS Theatre to watch an uncanny mirror image of our country’s 2020 Covid-19 lockdown. The play was Transmission, created by Stuart McKenzie and Miranda Harcourt, which used verbatim extracts of interviews primarily with Jacinda Ardern, Grant Robertson and Professor Michael […]

SCENE BY JAMES: When will Arts in Aotearoa get the Green Light?

November 20, 2021

In the same week Auckland Theatre Company and Basement Theatre confirmed they were closing for the rest of the year, I attended a one night-only performance of Back to Square One? at the Tahi Festival of Solo Performance at Wellington’s BATS Theatre. Back to Square One? is a Covid show, inspired by writer/performer Anders Falstie-Jensen’s conversations with his 95-year-old grandmother […]

SCENE BY JAMES: 2020 – A Theatrical Year in Review [Pandemic Edition]

December 31, 2020

[Out of the Box and Into the Box: Aotearoa Theatre Enduring a Pandemic, and Dreaming of the Future] Suddenly the opening exchange of Anton Chekhov’s 1895 play The Seagull made sense like never before: “Why do you always wear black?” “I’m in mourning for my life” There on my laptop was Masha (Bronwyn Ensor), rocking the no-longer-care lockdown look. What […]

When the Show Doesn’t Go On

March 19, 2020

When people ask me what I’m into, I struggle to list anything beyond “theatre.” I’m a theatre obsessive. A tragic. I decided long ago to make it a core part of my identity, and I’ve stubbornly stuck to that pact ever since. In those moments when I take a hard look at my relationship with theatre, wondering if it would […]