REVIEW: Body Double (Silo/Auckland Arts Festival)

March 28, 2018
[Look Again] Desire as an autonomous experience. Now there’s a novel idea. It’s no secret that sexual education across the board is still lacking, whether we’re talking about sexual orientation, contraception, or even basic female anatomy, but something that isn’t often spoken of is a woman’s power to experience and shape her own desire outside of the patriarchal lens. This […]

SCENE BY JAMES: 2017 – A Theatrical Year in Review

December 29, 2017
[Theatre by the Numbers] 150,000 Aucklanders can’t be wrong, right? These are the approximate combined totals of audiences who flocked to the Pop-up Globe and Pleasuredome: The Musical in 2017. Compare that with the record-breaking 130,000 who went to Adele’s Auckland concerts this year. And that’s not even including the Globe’s jump across the Tasman, where their productions are still […]

REVIEW: Boys (Auckland Theatre Company)

May 3, 2017
[Torn Foreskin] Having premiered originally in 1980, Greg McGee’s Foreskin’s Lament might be the quintessential Kiwi drama, putting our nation’s favourite sport under the microscope. Despite its reputation, it lives in a state of antiquity like most of the New Zealand theatre canon, sitting on the shelves often to be appreciated rather than performed. While it would be interesting to […]

REVIEW: Like There’s No Tomorrow (The Playground Collective and ATC)

July 29, 2013
You never know where the night will take you [by James Wenley] There’s a girl in the stairwell, quietly weeping, desperately trying not to be noticed. She’s the only student at the (banned) afterball not to have bothered with a costume or a flash dress. In her hands she tightly clutches a camera. She’s noticed by a Japanese exchange, dressed […]