REVIEW: Welcome to the Murder House (Indian Ink)

May 28, 2018
Brigitte Knight gives her verdict from the Wellington premiere of Indian Ink Theatre Company’s latest work. [Cell Block Vaudeville] Jacob Rajan returns to the stage for the world premiere of Welcome to the Murder House, a satirical black comedy spun from threads of historical fiction. Co-created with Justin Lewis, the work was commissioned by the South Coast Repertory Theatre based […]

SCENE BY JAMES: 2017 – A Theatrical Year in Review

December 29, 2017
[Theatre by the Numbers] 150,000 Aucklanders can’t be wrong, right? These are the approximate combined totals of audiences who flocked to the Pop-up Globe and Pleasuredome: The Musical in 2017. Compare that with the record-breaking 130,000 who went to Adele’s Auckland concerts this year. And that’s not even including the Globe’s jump across the Tasman, where their productions are still […]

REVIEW: The Pickle King (Indian Ink)

August 6, 2017
[Well Preserved] It’s a testament to the quality of Indian Ink’s storytelling that The Pickle King, the company’s 15-year old play, has stood the test of time. Those like myself who were unable to see its original production are given the opportunity to see a play that made one of New Zealand’s leading theatre companies who they are today. If their […]

REVIEW: Hiraeth (British Council NZ)

November 5, 2015
Farm girl goes free range [by Sharu Delilkan and Tim Booth] It was somewhat intriguing to see what Hiraeth would reveal at The Basement Theatre. The programme reinforced a number of sheepey, wooly-jumpery, folky stereotypes from the get-go, and to be honest paralleled many similar stereotypes believed worldwide about us Kiwis too. The story of a free-range farm girl Buddug […]

Looking Back: 2013 – A Theatrical Year in Review

December 28, 2013
Auckland Participates [by James Wenley] This past year I have partied with underage drinkers, appeared on the 6pm news, ran for my life from snarling zombies, and, for an all too brief moment, locked eyes with a sensuous Lucy Lawless. If there’s one big trend that has come out of Auckland’s 2013 theatrical year, it’s got to be the year of […]

This Week in the Theatre Scene: I have seen Wonders (16-22 September)

September 15, 2013
[by James Wenley] Last night I was one of the lucky Aucklanders to see Indian Ink’s brand new work: Kiss the Fish. Sharu’s got a fuller account in her review, but let me tell you, contrary to the images its title might create, this was a truly refreshing theatrical experience. Nobody else in the world creates theatre quite like this; […]

REVIEW: Kiss the Fish (Indian Ink Theatre Company)

September 15, 2013
A fish worth kissing [by Sharu Delilkan] The foyer of Q Theatre was like a Who’s Who of Auckland’s theatre industry last night – alive with anticipation of Indian Ink Theatre Company’s opening night of Kiss the Fish. Just like the masks that are used in the majority of Indian Ink’s shows, where no two are alike, we knew we […]

REVIEW: Taro King (Kila Kokonut Krew)

August 21, 2012
KKK still Kings [by Sharu Delilkan] There was almost a carnival atmosphere when entering the Mangere Arts Centre, a setting befitting the Kila Kokonut Krew’s 10th year anniversary celebrations featuring the production that put the company on the map, Taro King. Unfortunately I don’t have the benefit of being able to compare it with the first time it was staged. […]

REVIEW: Krishnan’s Dairy (Indian Ink Theatre Company)

July 28, 2012
Indian ‘Ink’redible [by Sharu Delilkan] When my husband Tim and I moved here almost 10 years ago Krishnan’s Dairy was the first live theatre show we saw. It not only left an indelible memory of theatre at its best but it was one of the key motivations why we decided to stay in New Zealand. Having come from the hustle […]
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