REVIEW: Tide Waits for No Man (Auckland Fringe)

February 22, 2019
[Treading the Imprints of Cultural Traditions] As the light slowly fades up to the sound of ocean waves breaking, a line of Chinese calligraphy is revealed stretching across the scrim that forms the backdrop to the stage. The bleeding line of ink might represent a jagged mountain range, but perhaps also a fracture or rip in the identity of the […]

REVIEW: Orientation (Proudly Asian Theatre)

September 11, 2018
[Roots] Can love transcend race? Is it better to have loved and lost your identity then not to have loved at all? These are just two of the poignant questions asked by Orientation, intelligently written and compellingly directed by Chye-Ling Huang. Against the backdrop of the legacy of colonialism that continues to inform racial politics in contemporary Aotearoa, Orientation is […]

REVIEW: Roots (Auckland Fringe)

March 4, 2018
[Journey to the Past and Future] New Zealand is a country with a strong migratory history, but too rarely are the stories of our Asian roots given room to breathe and grow on stage, which is one of the reasons why Proudly Asian Theatre represents an integral component to both our theatrical and cultural landscape. With only four stage productions […]

REVIEW: Call of the Sparrows (Proudly Asian Theatre)

October 14, 2016
[Reasons to be Proud] From their modest beginnings with productions of David Henry Hwang’s FOB and Renee Liang’s Lantern, Proudly Asian Theatre have proven themselves as a necessary presence within the local theatre scene. Developed over the last two years using Short + Sweet as a testing ground, Call of the Sparrows is the culmination of their hard work and […]