Q opens in triumph, Fringe overshadows Festival, Outfit Rise, Rugby, Rugby, Rugby, and the Death of the Theatre. [by James Wenley]
Attending the recent Hackman Theatre awards, Auckland Theatre circa 2011 would appear to be in rude health. Rude being the word, hosts Nic Sampson and Joseph Moore proudly observing it was a record year of nudity on stage, from the very brave Mr. Sam Seddon in The Only Child to the Dame bosoms of the Calendar Girls. It was certainly year that didn’t leave much to the imagination, containing everything from dildos to knitted phalluses, bath tubs to swimming pools.
The Hackmans were a big communal pat on the back for the industry, a brash and bold celebration of a huge year in theatre. As Jennifer Ward-Lealand and Robyn Malcom closed the awards night performing in a Thomas Sainsbury play that he had written under duress that very night, there was a sense that anything and everything was possible.
As a critic moving from Craccum to my own Theatre Scenes blog this year, I’ve welcomed the end-of-year theatre break. Throughout the year, I could often be heard to exclaim: ‘Auckland Theatre: There is too much of you!’. It’s been exhausting going to opening to opening night after night. And immensely rewarding. While containing some duds for sure, my impression of the year is one of great strength and eclectic activity. There was no shortage of things to write about at least. There was always something on. Between fellow blogger Sharu Delilkan and me, we reviewed or previewed 96 different shows, and even that barely scratched the surface.
Raising the Titanics, Raising a Theatre [by James Wenley]
The Maori Volcanics show band in their 60s heyday were arguably our most famous exports. With members included bonafide legends Prince Tui Teka and Billy T James, they took their unique mix of song, comedy, and Maori culture around the world to the USA, Vietnam, Israel, Europe, playing to royalty and appearing on the same bill as other bonafide legends like Sammy Davis Jr.
The Titanics are a band like the Volcanics, though they never existed. Playwright Albert Belz and Producer Tainui Tukiwaho (who coincidentally recently graced our small screen playing Billy T James himself) initially explored doing a play involving the likes of Howard Morrison, Tui Teka and James before going with the story of a fictionalised showband. It’s a clever idea, able to honour the legends without being restricted by biographical details, and to pay tribute to an essential piece of kiwi music history.
It’s a history I fully admit to being quite ignorant of, and by paying homage to the showband culture Raising the Titanics succeeds the most. For those like me, here’s a clip of Billy T James and Prince Tui Teka performing with the Maori Volcanics… enjoy.
Big shoes to fill, right on Q [by Sharu Delilkan]
Roimata Fox admits that the prospect of filling actor Miriama McDowell’s shoes, as Marea Reka in Raising the Titanics, was extremely daunting.
“It’s amazing what she does. I’ve been watching her since I was 15 and have always looked up to her,” she says.
The 23-year-old actor has since gotten over those initial jitters and is in her element embodying her new role.
Having grown up in Ruatorea, a small town close to Gisborne, Fox says she has taken a few liberties with her east coast character to make it her own.
“Marea is Ngati Porou to the core and so am I. That’s all I know and that’s all I can draw from because that’s basically who I am.”
In fact when she heard she had the role Fox packed her bags and headed back to Ruatorea to hang out with her aunties on a marae, as part of her research.