WELLINGTON REVIEW: ORCHIDS (Foster Group Dance)

July 25, 2019
[Dance Taonga] “I want to place in your mind, the Orchid as a symbol of the feminine divine.  A mysterious and potent allegory for the dark and light masks of the female psyche”. ORCHIDS returns for a second staging having sold out its premiere season at Tempo Dance Festival in 2017. Choreographed and directed by Foster Group Dance’s Sarah Foster-Sproull, […]

REVIEW: ORCHIDS (Foster Group Dance)

July 22, 2019
[Women in Full Bloom] Inspired by the orchid flower as a symbol of the divine feminine, ORCHIDS is an emotional and visceral contemporary dance work that celebrates the multifaceted layers of the female experience.  Directed and choreographed by Sarah Foster-Sproull, ORCHIDS features seven strong and expressive dancers spanning three generations — Marianne Schultz, Katie Burton, Rose Philpott, Jahra Wasasala, Joanne […]

REVIEW: Wired (Okareka Dance Company)

January 26, 2018
[Wired Inspired!] Contrary to what the imagery of the show’s publicity depicts, Wired contains no visible or physical wires. However, the intertwining of wires via the dancers’ relationships is very much inferred throughout the show, delivered with great aplomb. Choreographers Sarah Foster-Sproull, Taane Mete and Taiaroa Royal have created a number of beautifully interwoven dance pieces that are a sight […]

REVIEW: Contrast (Footnote New Zealand Dance)

November 3, 2017
[Right Direction] Contrast presents works from two choreographers of significant national and international standing: Switzerland-based choreographer, dancer and teacher Emma Murray, and Creative New Zealand’s Choreographic Fellow 2017-2019 Sarah Foster-Sproull. Potentially, the season was named before the works were created – they share similar general concepts but strongly contrasting realisation. In Murray’s work Participation, four dancers enter into a trance-like, […]