REVIEW: Speaking in Tongues (Silo)

August 18, 2013
Same, but Different [by James Wenley] The harder you try to categorise Speaking in Tongues, the further the play slips away. Case in point: the content of the opening scene is the stuff of conventional dramas – in separate hotel rooms, two couplings of strangers contemplate engaging in infidelity. The tension: who will go through with it, who will back […]

REVIEW: White Rabbit, Red Rabbit (Silo Theatre)

July 2, 2013
Shh…don’t tell anyone [by Sharu Delilkan] Sometimes the fact that a play makes you think, can be as important as what you actually think about the play itself. This for me was the case with Silo Theatre’s latest production White Rabbit, Red Rabbit, written by young Iranian playwright Nassim Soleimanpour. The piece refreshingly challenges the traditional structure of a play […]

REVIEW: The Pitchfork Disney (The Moving Theatre Company)

June 21, 2013
Well pitched [by Matt Baker] It’s taken Todd Emerson seven years to mount The Pitchfork Disney, and it’s easy to see why the play stuck with him after his initial reading of it. Premiering in England in 1991, the play is considered a first in the arrival of the “in-yer-face” generation of playwrights, including Mark Ravenhill, Sarah Kane, and Anthony […]

REVIEW: No Holds Bard (Royale Productions)

June 5, 2013
Hurst’s a Bardarse [by Sharu Delilkan] Aptly described as an outrageous and often profound look into one actor’s attempt at self-destruction, No Holds Bard definitely promises what it delivers…and more. This original compilation of numerous Shakespearean excerpts woven together from the likes of Hamlet, King Lear, Macbeth and Othello is a great way to showcase Michael Hurst’s mastery of the […]

REVIEW: Private Lives (Silo)

September 12, 2012
My love-hate relationship with Silo’s Private Lives [by James Wenley] Consider this plot: A newly remarried man about town books into a hotel room for his honeymoon only to discover that his ex-wife has booked the very next room for her own honeymoon. Will old sparks be reflamed? And what about their new partners? Hijinks and hilarity ensue. Sure sounds […]

PREVIEW: Yours Truly (Basement Fest)

September 27, 2011
Jack the Ripper finally comes to Auckland, and he’s got a knife… [by James Wenley] When I met Anders Falstie-Jensen during his lunch break from rehearsals at the Basement, he was beaming and full of enthusiasm for his latest project. The play he is directing, Yours Truly sounds like a ripper. Jack the Ripper to be precise. Written by Albert Belz, […]