REVIEW: The Space Between (Auckland Fringe)

February 27, 2019
[Getting Closer] What is connection? It’s one of the many questions stuck to the black curtains of the central playing space of the Town Hall Supper Room, and a provocation in the devising process of The Space Between, a multi-space, multi-disciplinary theatrical installation presented by Cherie Moore and Sheena Irving in the 2019 Auckland Fringe Festival. Connection is one of […]

REVIEW: Julius Caesar (Pop-up Globe)

January 26, 2018
[Bloodbath and Beyond] For all the controversy surrounding the Public Theatre’s Shakespeare in the Park production of Julius Caesar last year, casting a Trump-like leader in the title role, the Pop-up Globe’s rendition of the play is a far less critical reflection of our contemporary world. Outside of a few banners with familiar taglines and some playful anachronisms, director Rita […]

REVIEW: Close City (The Basement)

September 11, 2016
[A Doll’s Hell] “It is not necessarily at home that we best encounter our true selves. The furniture insists that we cannot change because it does not; the domestic setting keeps us tethered to the person we are in ordinary life, who may not be who we essentially are.”― Alain de Botton, The Art of Travel. Like A Doll’s House‘s […]

REVIEW: A Midsummer Night’s Dream (AUSA Outdoor Summer Shakespeare)

February 26, 2015
A strong and vital theme [by James Wenley] British Shakespeare great Simon Russell Beale (who toured here as Leontes in The Winter’s Tale alongside Ethan Hawke) was recently quoted in The Observer arguing that it is fine to take liberties with Shakespeare. “You can do what you like with it – as long as you make coherent, emotional sense… I see […]