Nasty delights in an upside-down world [by James Wenley]
Roald Dahl has a lot to answer for. His childrens stories, among them Charlie and the Chocolate Factory, The BFG, and Fantastic Mr Fox are gruesome and subversive tales, in George’s Marvellous Medicine for example, 8 year old George is responsible for the death of his Grandmother (causing her to shrink into nothing). The adults in Dahl’s stories, like Boggis, Bunce and Bean in Mr Fox or Principal Trunchball in Matilda, are a mean and reprehensible lot.
And with these wicked and whimsical stories, Dahl has been a champion for generations of children. His books were a constant presence during my childhood. Never talking down to or underestimating his readership, his works speak to the mind of a child growing up in a confusing world. Adults, as all children know, don’t always know best.
In The Twits, Dahl introduced us to two of his most loathsome characters – Mr and Mrs Twit. Mr Twit eats weeks old food caught in his beard. We’re told Mrs Twit used to be beautiful, but after thinking years of “ugly thoughts”, her face turned ugly too (great message there). The couple are always trying to play tricks on each other – their mutual hatred of each other seemingly the only thing keeping them together. Add to this villainy Mr Twit’s slavery and abuse of a family of monkeys who he plans to train to perform in an upside-down circus, and the Twit’s desire to trap a flock of birds and cook them in a pie, and you have two outright despicable people!
For their final year show, and first Children’s show in a number of year, Auckland Theatre Company brings repulsive life to The Twits in the forms of Te Radar and David Fane (for who else would make an uglier woman?). Their disgusting habits and tricks – including a glass eye cocktail, and serving worms on spaghetti - earn big wicked laughs from the children in attendance. Like big kids themselves, the Twits tricks appeals to a child’s naughty side.
And as it turned out, this production appealed to the naughty side of a lot of adults too…
When Mike met Virginia [by Sharu Delilkan]
Everyone knows When Harry Met Sally so when the show opens using the movie as an example of a romantic comedy (or a romcom) it sets the stage perfectly for what’s to come.
Mike & Virginia is written by veteran screenwriters Kathryn Burnett & Nick Ward, who are making their debut into the world of theatre.
Memorable lines include ‘I’m as dry as a vulture’s arsehole’ and ‘being a best friend is about accepting her lumps and all’.
Mike and Virginia want to fall in love and they are supposed to at the end but in my mind they never quite get there - it’s difficult to appreciate what lovably laid-back Mike (Will Hall) sees in constantly uptight Virginia (Lisa Chappell), who rarely seems to soften or let her guard down.
The show has all the elements – great script, amazing backdrop scenery but the diluted chemistry between the lead characters left me needing more.
Back on the radar [by Sharu Delilkan]
Most people know Te Radar as an award winning satirist, documentary maker, writer, failed gardener, and amateur historian.
And more recently he’s been in our living rooms starring in TVNZ’s Radar’s Patch, Off the Radar, and Homegrown.
But you’d be forgiven if you didn’t think of him as a stage director, especially since he’s been off the theatre radar for a good seven years. The revered Kiwi comedian’s last live theatre gig was directing Those Indian Guys in Indian Invaders at the 2004 International Comedy Festival.
Radar admits he knew he had to direct Mike & Virgina as soon as he saw the read through at Auckland Theatre Company’s Read Raw series.
Mike & Virginia is a unabashed romp of a play about love and who you think you shouldn’t fall in love with, that subverts every romcom convention in the book to create a bitingly funny and surprisingly tender Kiwi love story.