[Giving Auckland Something to Believe in] By the end of Eli Kent’s 3&1/2 hr epic Peer Gynt [recycled], we’ve crashed a wedding, attended a troll kink-party, seen the author give birth to a baby Henrik Ibsen, escaped from a spiritualist retreat, hung out with Milo Yiannopolous, given James Cameron a taste of his Titanic medicine, and confirmed that onions, like […]
Nathan Joe reports back about two final shows at the recent Auckland Arts Festival, branching out into Opera and Dance: [The Bone Feeder: No Place Like Home] Let’s get one thing out of the way: an opera with a primarily East Asian cast is a big deal. This is doubly the case in light of NZ Opera’s recent production of […]
Q opens in triumph, Fringe overshadows Festival, Outfit Rise, Rugby, Rugby, Rugby, and the Death of the Theatre. [by James Wenley] Attending the recent Hackman Theatre awards, Auckland Theatre circa 2011 would appear to be in rude health. Rude being the word, hosts Nic Sampson and Joseph Moore proudly observing it was a record year of nudity on stage, from […]
Feeding the Past [by James Wenley] I first encountered playwright Renee Liang’s The Bone Feeder in 2009, presented as part of her postgraduate diploma of Arts at the University of Auckland, which I reviewed for Craccum Magazine. Since then, Renee (known also for plays Lantern & The First Asian AB) has continued to develop and work on the play. More productions […]
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