No dud [by Matt Baker] Young writers are frequently reminded to write what they know, and Nuclear Family is a great example of why that is. There is no indication as to which degree this show, written by Venezuelan born veteran writer Desiree Gezentsvey, is autobiographical, which in turn raises the question of how much art should imitate life and […]
Absurd Choices [by James Wenley] The Basement’s upstairs Studio space has really proven itself this year as an accessible venue where curious audiences can seek out work from left field. This week two new works Like Smoke in Here by Ben Anderson, and Norma Strong by Elyse Brock, are featured together as an ‘absurdist double bill’. Absurdism was one of […]
Triffically Entertaining [by Matt Baker] Anyone who has an appreciation of ‘60s doo-wop or classic musical theatre will be entertained by ATC’s production of Little Shop of Horrors, because it is the musical talent that not only carries this show, but gives it some emotional depth and journey. While the entire creative team jointly recognises and illustrates their influences and […]
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