Theatre on the Ferry? [by James Wenley] What unconventional theatre spaces would you like to see some theatre happening in? That’s the question I asked readers for Theatre Scenes ‘Did I believe it?’ ticket giveaway. Silo Theatre are heading to the Bar for their latest work, but where else might we stage theatre? I got a range of different responses, […]
“If our audience leaves the theatre and the first thing they say is ‘where are the car keys’ then we haven’t done our job.” [by James Wenley] TICKET GIVEAWAY: I have a double pass to give away for the opening night of Silo Theatre’s first production of the year ‘Did I believe it’ on Saturday 9th April . Details at the […]
Oo hoo hoo hoo… [by James Wenley] Poor Boy is a song written by kiwi music royalty Tim Finn and released in 1980 on Split Enz’s True Colours album. The lyrics ‘My love is alien, I picked her up by chance / She speaks to me in ultra-high frequency’ are apparently about a ‘poor boy’ who falls in love with […]
My lovely theatre scenes co-reviewer Sharu Delilkan got on National Radio’s Arts on Sunday to review Auckland Theatre Company’s latest offering Poor Boy, featuring music by Tim Finn. Find out what she told Lynn Freeman about the production here. I’ll be seeing the show on Tuesday, so will have a print review for Theatre Scenes post show. I am very curious about […]
Beckett on Love [by Sharu Delilkan] We were greeted by instrumental music that immediately made me reminisce with fondness about my first love. The stark stage with two different sized benches and the cold blue lighting contrasted the emotive background music. It’s not long before Conor Lovett enters stage right dressed in a chequered suit, hoodie and worn reddish-brown leather […]
Just Dance. [by James Wenley] Before me, 19 performers dance to Reel 2 Real’s ‘I like to move it’. Some are dancers, some are actors, and some have never performed before. It’s not your standard dance choreography, and it is definitely not abstract. The song is being taken literally, each performer has a different ‘it’ that they like to move, […]
I hardly saw thee… [by James Wenley] Last night the Auckland Fringe Festival closing night was partied away in exuberant style to a live Swing band, after the awards had been handed out, in the stunning Pacific Crystal Palace Spiegeltent in Aotea Square. The Spiegeltent was a ‘loan’, of sorts, from the Mumma Auckland Arts Festival. Whereas the prestigious Arts […]
All is revealed [by James Wenley] With the Auckland Fringe over, it is safe to talk about Standstill. The latest from The Rebel Alliance, Standstill featured a unique and risky promotional campaign. Their image said “Don’t read this” and the promotional blurb told us nothing about what the show was about, or who was in it. We were asked to […]
Hauntingly Effective [by James Wenley] With so much of the Fringe being comedy orientated, it was very refreshing to take a walk on the Gothic side late on Monday night. Benjamin Henson intelligently adapts and directs this unsettling stage version of Henry James’ 1897 novella The Turn of the Screw. A white gowned governess (Philippa Johnson) is charged with looking […]
Camp Circus Freaks [by James Wenley] With this show especially, there is a reason why the performers are on the stage, and we can sit in the audience of the very attractive Spiegeltent. Many of the acts needed strength and ability that only years of training can bring. Nor would most of us, I suspect, be willing to display the […]
Copyright © 2024 | MH Magazine WordPress Theme by MH Themes