TOURING: A Doll’s House (Twist Productions & Tour-Makers)

September 9, 2019
Architecture of Happiness “You must change your life” –Rainer Maria Rilke, The Archaic Torso of Apollo It’s great to be wrong sometimes.  When I reviewed Emily Perkins’ A Doll’s House (in ATC’s production) the first time around, I found fault with the play and production. It seemed to take place in a nowhere land, despite the New Zealand references. The […]

CHRISTCHURCH PREVIEW: HIVE (Arts Centre)

September 6, 2019
[A Swarm of Talent] Running 6 to 21st September is a fascinating piece of dance-theatre. Set in the ruins of the pre-quake Court Theatre foyer, HIVE is a rare opportunity to explore one of Christchurch’s most significant cultural spaces while it’s under construction. Stepping into the makeshift set for HIVE is like stepping into a liminal space, where time doesn’t […]

WELLINGTON PREVIEW: Inter-FENN-Tion at BATS

August 29, 2019
[An interfiew with George Fenn] Just over a week after the Tahi Festival of Solo Performance closes in Wellington, improv comedian and solo performer George Fenn will be opening a mini-festival of his own works. Five completely different shows, per night, over the course of a week at BATS.  First off on Tuesday is improvised magical tour Router Sidewalker, which […]

CHRISTCHURCH REVIEW: The Arsonists (Court Theatre)

August 22, 2019
Slow Burn Part of The Court Theatre’s Forge season, an alternative programme to their mainbill productions, Jacqueline Goldfinger’s The Arsonists plays like a homage to great American playwrights such as Tennessee Williams and Sam Shepard. Described as a love letter to her father, Goldfinger’s narrative is focussed around the parental-child relationship of M (Monique Clementson) and H (Roy Snow). Their […]

CHRISTCHURCH ARTS FESTIVAL: Six Picks

July 23, 2019
The Christchurch Arts Festival opens this week. Critic Nathan Joe selects his six must-see events that offer vastly distinct flavours and genres.  When you first look at the programme for the Christchurch Arts Festival you might be struck by the lack of international acts. What seems like a glaring omission, upon closer inspection, is an acknowledgement of Ōtautahi’s fiercely creative […]

DUNEDIN REVIEW: The Flick (Wow Productions)

July 7, 2019
[The Last Picture Show] The reputation of Annie Baker as a playwright of Chekhovian sensibilities can often overshadow the fact that she has her own distinct idiom and rhythm that taps into the banality of contemporary life. And, yes, her plays are slow but only in the sense that they are patient, unhurried miniatures. It’s this unassuming style, the very […]

CHRISTCHURCH REVIEW: Les Liaisons Dangereuses (The Court Theatre)

June 27, 2019
Best Served Cold There’s something timeless about the deceitful machinations that run through Les Liaisons Dangereuses. The French epistolary novel, originally published in 1782, and adapted by Christopher Hampton, has the Wildean wit of a sharp knife dipped in poison. The dastardly duo at the center of the play, the Marquise de Merteuil (Eilish Moran) and Vicomte de Valmont (Fergus […]

CHRISTCHURCH REVIEW: Juliet & Romeo (D4)

May 24, 2019
[Shakespearean Speed Run] I don’t really have much time for new productions of Shakespeare these days, especially when it comes to productions that are done in a so-called traditional manner. We live in an age where pretty high quality interpretations of these classics exist, yet are still performed ad nauseam in our cultural landscape. Romeo & Juliet is a particularly […]

CHRISTCHURCH REVIEW: Hedwig and the Angry Inch (The Court Theatre)

May 16, 2019
[The New Every(wo)man] The legacy of John Cameron Mitchell and Stephen Trask’s Hedwig and the Angry Inch is one of modest beginnings, with Mitchell playing the title character Off-Broadway back in 1998. That it went on to become a cult film and subsequently a Broadway and international success is a testament to the quality and originality of its material. Even […]

CHRISTCHURCH REVIEW: Jesus Christ Superstar (The Court Theatre)

January 10, 2019
[Punk Rock Pastoral] Nathan Joe reports in from Christchurch on The Court Theatre’s summer musical. The Court Theatre’s annual musical is a long-held tradition and highlight of the Christchurch theatre scene; one that I’ve had the pleasure of witnessing multiple times in the past few years. Following their flawlessly faithful rendition of Chicago and the appropriately frothy Legally Blonde, New […]
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