REVIEW: Tessa Waters: Fully Sik (NZ International Comedy Festival)

May 3, 2018
[Came to Play] Who is Tessa Waters? Self-confessed bogan? The human equivalent of a giggling glitter explosion? Professional trained mime? Guess what. She’s all of these and more, and one thing’s for sure, she’s not to be missed this Comedy Festival! This isn’t your average stand up show; even though the show uses a relatively simple sketch format, there are […]

REVIEW: Beneath Skin and Bone (Te Pou)

April 21, 2018
[Mana Wahine] Beneath Skin and Bone (BSAB) is set in a world where waiata and music is shunned, and our protagonist Poto (played by Trae Te Wiki) finds herself in a new city, running away from the constant chatter of her whanau. With a little intervention from the spiritual world, Poto is forced to face her fears, her family’s past […]

REVIEW: Your Heart Looks Like a Vagina (The Basement)

April 17, 2018
[No End in Sight] “It began with a pain in the neck, like I’d slept funny, a joke compared with what’s to come…” Your Heart Looks Like a Vagina is an autobiographical theatre show and a lyrical journey through Dominic “Tourettes” Hoey’s experience with developing and living with Ankylosing Spondylitis (AS). AS is a form of arthritis that over time […]

REVIEW: The First Time (The Basement)

April 10, 2018
[First Foray] It’s the first time The First Time has played in Auckland, and it’s the first play from Wellington playwright Courtney Rose Brown. This season of the show is described as a “mash-up” of Brown’s script and director Stef Fink’s experimentation with physical theatre, inspired by her previous work in devising and working with Massive Company. Brown’s script follows […]

REVIEW: The Basement Tapes (The Basement)

March 31, 2018
[The Haunted Space] A Basement. A room that is a trope in itself. We all know how the scene plays out: one dim light sets a glow upon forgotten objects, lurking shadows creep up the walls at odd angles; we have entered the resting place for the old, unwanted or unused, and it’s the perfect setting for a horror story. […]

REVIEW: Body Double (Silo/Auckland Arts Festival)

March 28, 2018
[Look Again] Desire as an autonomous experience. Now there’s a novel idea. It’s no secret that sexual education across the board is still lacking, whether we’re talking about sexual orientation, contraception, or even basic female anatomy, but something that isn’t often spoken of is a woman’s power to experience and shape her own desire outside of the patriarchal lens. This […]

REVIEW: Peter and the Wolf (Silo Theatre)

November 21, 2017
[Kiwi Ingenuity] Silo Theatre have taken a step in a new direction with Peter and the Wolf, throwing aside the tried and tested and really allowing the imaginations of their designers to flourish in this delightful piece of children’s theatre. Peter and the Wolf is a musical fairy tale written by Sergei Prokofiev in 1936, originally intended to teach young […]

REVIEW: Red Speedo (Auckland Theatre Company)

November 8, 2017
[Togs, Togs, Drama] Red Speedo is Benjamin Henson’s mainbill directorial debut with Auckland Theatre Company after a series of successful endeavours across New Zealand. Henson as made a name for himself as a director with shows such as AUSA’s As You Like It, Last Tapes Company’s Valerie, and his most recent Auckland work The Effect as part of Q Theatre’s […]

REVIEW: Looking for America (The Basement)

October 28, 2017
[Blink and you missed it…] Looking for America appeared at the Basement for a one only late night performance within the theatre’s upstairs green rooms. It has been on a small tour around living rooms, cafes, offices and communes across Auckland. Written and performed by Indigo Paul and directed by Katie Burson, Looking for America is a slow burning solo […]
1 2 3 4 5