REVIEW: The WonderWombs (The Dust Palace)

December 20, 2019
Wonder No More Created by Auckland-based cirque-theatre company the Dust Palace, The Wonderwombs is a tantalising performance of aerial acrobatics, challenging our perceptions of womanhood.   Curiosity begins as soon as we take out seats. Hanging from the ceiling of Q theatre are various innocuous pastel pink objects – a rubber glove, a child’s fortune-teller game – and items move towards […]

CHRISTCHURCH REVIEW: The Wind in The Willows (Court Theatre)

November 27, 2019
[Forest-dwelling Fantasia] The Court Theatre’s The Wind in The Willows follows the ever-loved classical tale of Mole, Ratty, Badger and Toad of Toad Hall. The script was adapted from Kenneth Grahame’s story by Alan Bennett in 1991, bringing a renewed lens to the original tale, now nearly thirty years established in theatre. Director Ross Gumbley has taken the show to […]

REVIEW: My Heart Goes Thadak Thadak (Silo Theatre)

November 26, 2019
A Giggleful Expedition to mid-1970s Bombay Inspired by the decade of disco in the city where dreams come true, My Heart Goes Thadak Thadak is a sweeping tribute to the power of fusion in what was to become the world’s largest film industry. Set in 1975 on a film set, the play reveals a tense amalgamation between the Hollywood Western […]

REVIEW: A Frickin Dangerous Space-mas (Basement Theatre)

November 24, 2019
Spoofnik Written by comedy troupe Frickin Dangerous Bro (Pax Assadi, James Roque and Jamaine Ross) and directed by Jane Yonge, A Frickin Dangerous Space-mas chronicles the intrepid crew of the International Space Station as they prepare to celebrate Christmas and welcome the arrival of a new crew-mate, whilst warily awaiting the Captain’s (Sam Snedden) decision as to who will succeed him in his role. […]

REVIEW: Les Misérables (Auckland Music Theatre)

November 12, 2019
C’est Magnifique Les Misérables at the Civic is nothing short of spectacular. So often Kiwi audiences flock to touring overseas shows, based on the premise that “it’s come from New York, London or Sydney –  it must be amazing”. Consequently, it’s thrilling and heartening to see Boublil and Schönberg’s Les Misérables done with such flair, panache and extravagance on our […]

REVIEW: Welcome to Thebes (The Actors’ Program)

November 9, 2019
Ambitious Push to Marry Myth to Modernity It is no easy task to choose a capstone play for the conclusion of an intensive actor’s training program. In pursuit of an elusive equilibrium between adapting a compelling dramatic script and putting on display the diverse talents of a gifted group of emerging actors, for the 2019 cohort The Actors’ Program have […]

WELLINGTON REVIEW: ransom. (BATS STAB 2019)

November 2, 2019
Values Held Hostage Was it the moral righteousness? The insistence their way was the right and only way? The absurdity of the camembert argument: that they knew how to pronounce the French properly because they were educated? Over the past week an artefact of New Zealand coloniality went viral: audio from Marcus Lush’s talkback show of two callers proudly defending […]

REVIEW: How we Survive (Basement Theatre)

October 31, 2019
More Than Surviving: Two Artists, Thriving How We Survive offers an expected array of feminist discourse – from abortion rights and the gender pay gap, to body image and how to crush the patriarchy – but personal anecdotes in the form of poems are delivered with such intoxicating and brave energy that audience members are left with new insight, hungry […]

REVIEW: Animal (Basement Theatre)

October 30, 2019
New voices, deserving to be herd Described as a ‘superhero story inside a famous 20th century novella,’ Animal directors Harriett Maire and Arlo Green serve up a two-and-a-half-hour dinner where meat is firmly off the menu, but a plethora of hearty goodness takes its place.   Animal Farm, written by George Orwell and published in 1945, is an allegory depicting events […]

CHRISTCHURCH REVIEW: Fresh off the Boat (The Court Theatre)

October 27, 2019
Time Capsule Pacific Underground’s influence as a landmark theatre company has deeply shaped our nation’s theatre canon, particularly through works such as Dawn Raids, A Frigate Bird Sings, and Niu Sila. So The Court Theatre’s revival of seminal Fresh off the Boat, the very first play Pacific Underground ever did (in 1993), is a significant acknowledgement of the company’s place […]
1 2 3 87