REVIEW: My Heart Goes Thadak Thadak (Silo Theatre)

November 26, 2019
A Giggleful Expedition to mid-1970s Bombay Inspired by the decade of disco in the city where dreams come true, My Heart Goes Thadak Thadak is a sweeping tribute to the power of fusion in what was to become the world’s largest film industry. Set in 1975 on a film set, the play reveals a tense amalgamation between the Hollywood Western […]

REVIEW: Tiresias (Auckland Fringe)

February 28, 2019
[See the Fates in Action] Simon Rodda and local fiddler Shimna Higgins star in an hour of masterfully woven oral storytelling and live music. Directed by Rebecca Rogers, Tiresias’ 2019 Auckland Fringe season represents the international debut of British Theatre company Heady Conduct. Deep in Q Theatre’s Vault the audience clusters around tables in cabaret seating. There is a murmur of […]

REVIEW: Homos, or Everyone in America (Auckland Pride)

February 2, 2019
[Dive bombing into 21st Century Queer Relationships] In Cock by Mike Bartlett, director Shane Bosher explored the sharp edges of an intimate live-in relationship between two men. Bosher builds on this with a more focused lens in Homos, or Everyone in America by Jordan Seavey: an intense, thought-provoking production grounded in the quick-witted diatribes I’ve come to expect from Bosher’s […]

REVIEW: Sightings (Massive Company)

July 27, 2018
[Unclear Sightings] Morphing through different movements and times, Sightings is a non-linear story centred around one night out. Five young actors deliver a number of twist and turns, essentially through the eyes of Nora (Akinehi Munroe) and Chilli (Ebony Andrew). A product of a writing team comprising Miriama McDowell, Fiona Graham and Denyce Su’a, this new script is a reflection of its various […]

REVIEW: Valerie (Last Tapes)

July 21, 2018
[Theatre at its Finest] Mental health in New Zealand is a prevalent issue and, by consequence, necessary to discuss. 16% of New Zealanders are diagnosed with a mental health issue in their lifetime, comorbidity increases the risk of death, and our suicide rate is the second highest in the OECD. Mental health is also prevalent in the arts, especially theatre, […]

REVIEW: Super Hugh-Man (Q Theatre)

June 30, 2018
[MT Origins: Wolverine] Here’s a Hollywood what-if for you: what if Hugh Jackman was never cast as Wolverine? He wasn’t the first choice. In fact, Jackman famously got the part after X-Men (2000) had already begun filming, when the original actor was injured shooting another movie. There was some disquiet about the choice of 6 foot 3 Jackman to play the […]

REVIEW: Yorick! (Binge Culture)

June 19, 2018
[Dance of Death] Neither an overly-intellectual deconstruction of Hamlet (a la Heiner Muller’s Hamletmachine) or an alternative take on the play (a la Thomas Stoppard’s Rosencrantz and Guildenstern are Dead), Binge Culture’s Yorick! merely uses Shakespeare’s canonical text as a launching pad for their whimsical and absurd exploration of mortality. And mortality, being the wide-reaching topic it is, is a […]

REVIEW: Brendan Green: My Mates Dave (NZ International Comedy Festival)

May 19, 2018
[Mate!] If you’ve been paying attention to the NZ Comedy, bets are you’ve heard of Brendon Green. His list of credits is pretty impressive – he’s written for TV’s 7 days and The Project, he’s written and performed multiple stand up shows that have toured NZ and internationally, and he has also mentored upcoming young comedians in the Class Comedians […]

REVIEW: Ashton Brown: Dying to Meet You (NZ International Comedy Festival)

April 29, 2018
[Death Becomes Him] Growth. That was my impression of Ashton Brown’s last show, Anxious To Meet You. In that show, Brown exposed himself in a highly autobiographical (and occasionally uncomfortable) meditation on mental illness and the importance of self-love. Well that, and stories about explosive diarrhoea, naked karaoke and irrefutable proof that powerpoint presentations are the embodiment of evil. Dying […]
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