Success is no accident [by Matt Baker] This is what theatre is all about; stories through unique perspectives. There are many articles about Dunedinite Nick Chisholm, from Men’s Health and the British Medical Journal, to The Mirror and 20/20, however, while they each come from their own journalistic angle, they simply do not have the same opportunity to cover the […]
I’m on it [by Matt Baker] Cross-gender and cross-racial casting, an era-specific time relocation, and characters represented by dolls or never seen at all are three fundamental theatrical constructs employed by Caryl Churchill to present the themes of sexuality, oppression, and identity in her 1979 play, Cloud 9. Such constructs illustrate said themes to the audience in a blatant and […]
The pain of everyday [by James Wenley] Jo’s everyday interactions are characterised by a sort of agony. As played by Kayleigh Haworth, she’s an intriguing study of indecision, awkwardness, tension and a constant internal torment about what to reveal, keep to herself, and behave. Keziah Warner’s new play Everything She Ever Said to Me, speaks to the painfulness of conversation […]
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