REVIEW: Run Rabbit (Auckland Fringe)

March 4, 2019
[Nowhere to Run] We meet a few different versions of Victoria Abbott during Run Rabbit. These vary from, but are not limited to, “Victoria Abbott: normal human woman”, “Victoria Abbott: the actor”, and, of course, “The Rabbit.” Abbott opens the show by acknowledging and grounding her audience in the space, clearly demonstrating our autonomy within it, and showcasing the meta-elements […]

REVIEW: Run Rabbit (The Basement)

July 26, 2018
[Fight or Flight] The one-woman show has become a prominent staple of The Basement’s repertoire over the last few years. While offering individual theatremakers the space and opportunity to develop deeply personal and politically-charged works, audiences have been regularly gifted the chance to witness our most talented artists create highly responsive work in a volatile political climate. What surprises (but […]

REVIEW: Kororāreka: The Ballad of Maggie Flynn (Red Leap)

June 14, 2017
[Leap, Climb, Slip] Kororāreka, the hell hole of the Pacific: once feared and revered by sailors across the high seas, a hot spot for mayhem, trade, and a clashing of cultures. Those who are familiar with New Zealand history may be aware of Kororāreka and the sailors, pirates and whalers who docked there, but less known are the stories of the women […]

REVIEW: Munted (Bare Hunt Collective)

December 5, 2012
Solid [by Matt Baker] From Liz Carpenter and Alana Kelly’s poster design to the un-credited set design in performance, the teacup motif in Munted is both an accurate and elegant metaphor for the fragility and communal aspects of life surrounding the February earthquake. It is also brilliantly used in breaking the fourth wall the moment the audience enters the performance […]