REVIEW: Paco Erhard Worst. German. Ever. (NZ International Comedy 2015)

May 6, 2015

Not the World’s Worst German [by Sharu Delilkan] The ‘Worst. German. Ever.‘ luckily is not the worst comedy I have seen so far during the festival, but to be honest he wasn’t the best. Having seen excerpts of Paco Erhard on Comedy Central we were looking forward to tonight – especially some self-depreciating German jokes and observational comedy on the […]

REVIEW: Kura Forrester Tiki Tour (NZ International Comedy Festival 2015)

April 29, 2015

Kura the Explorer [by Sharu Delilkan and Tim Booth] It’s not often that you can say you witnessed someone’s first ever gig as a comedian but with Kura Forrester’s show Tiki Tour we were privileged to be part of this at the Cellar Q Theatre today. And the reason I say this is because Forrester showed definite talent and ease […]

REVIEW: The Kitchen (Auckland Arts Festival)

March 15, 2015

Humdrum [by Sharu Delilkan and Tim Booth] An intriguing premise for tonight’s show – 12 drummers in a pyramid, a kitchen and a couple cooking the delicious Indian rice pudding that is payasam. Having seen The Manganiyar Seduction at the 2011 Festival we felt The Kitchen had the potential to be a little gimmicky, a re-packaging of their previously successful […]

REVIEW: Hikoi (Auckland Arts Festival)

March 6, 2015

Mōrihariha [by Sharu Delilkan] Witnessing a theatrical premiere is indeed a privilege but when it’s local with historical ties, such as Hīkoi, and it’s a world premiere makes for an even more momentous occasion. Writer Nancy Brunning’s cleverly crafted words come alive as soon as the show begins. Her ability to reel in the crowd with her sharp-witted dialogue and […]

REVIEW: Night of the Queer (TAPAC)

February 19, 2015

Queer As! [by Sharu Delilkan] Night of the Queer has all the elements of a typical Cabaret – music, song, dance, recitation and drama. However there is nothing typical about it. Everyone from the emcees Lola la Bomb and Kita Mean to the acts in between make you realise that queer is the new norm and anything else is just […]

REVIEW: Away from Home (Auckland Fringe and Auckland Pride Festival)

February 18, 2015

Fever Pitch [by Tim Booth and Sharu Delilkan] Kyle: Who’re ya? Who’re ya? Who’re ya? So goes the football terrace chant setting Away from Home‘s pace and rhythms – a crisp production featuring Rob Ward‘s striking performance; fast-paced writing – tackling acceptance, isolation, love, rejection and poignantly unexpected acceptance. Delivered by Ward with co-writer/ designer/director Martin Jameson. The initial similarity […]

REVIEW: Thriller Live (Lunchbox Theatrical Productions)

February 17, 2015

Dazzling, dramatic [by Sharu Delilkan] Putting on a production that truly pays homage to Michael Jackson a.k.a. the King of Pop is a daunting task, to say the least. Bearing that in mind I decided to go to the show with low expectations, to ensure that I wasn’t disappointed. However I was pleasantly surprised by the entire production, including the […]

REVIEW: Legacy Project Year Two (Auckland Fringe & Auckland Pride)

February 12, 2015

May the legacy continue [by Sharu Delilkan] Having not seen the Legacy Project‘s inaugural outing at the last Pride Festival, I am unable to make any comparative commentary. However that doesn’t mean that I don’t have an opinion about the works that were presented at this year’s showing. The six plays were a good mixture of personal, heartfelt stories. And […]

REVIEW: Girl on A Corner (Auckland Fringe)

February 10, 2015

Innovative theatre [by Sharu Delilkan] Victor Rodger‘s premiere of Girl on a Corner is testament that there are multiple ways to skin a cat. The device used in this show provides the audience a multitude of permutations and combinations of ways in which a story line can move in different directions i.e. an innovative style that showcases Rodger’s ability to […]

REVIEW: At the Wake (Multinesia Productions)

November 28, 2014

In the Wake of Genius [by Sharu Delilkan and Tim Booth] Victor Rodger’s uncanny ability to write dialogue, that’s often self-censored in real life, is both refreshing and hard-hitting, which captures our attention right from the start. And this is evident as soon as Joan (Lisa Harrow) opens her mouth. The barrage of profanities that emit her gob can only be […]

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