Famous Flora Fascinates [by Sharu Delilkan and Tim Booth] Choosing to stage Elisabeth Easther’s premiere about Flora Mackenzie, one of Auckland’s most notorious Mesdames, at the White House was a stroke of genius. The venue not only gave the show added dimension, being totally apt, but also acted as an eight character in the 7-strong cast that entertained us at the […]
Grimm sparks grins [by Sharu Delilkan and Tim Booth] It was impossible to ignore the writing on the wall as we walked up the stairs to the Basement Studio. A closer look revealed the actual script that had been penned by none other than Ghastly Dash Grimm: A Tale Of Unease’s writer/director Benjamin Henson. Ben Anderson’s dramatic stage design was […]
Clever, Compassionate and Concise [by Sharu Delilkan] It appears as if the play has already begun as we file into Q’s Loft space. Solo actress Adura Onashile busily writes on the blackboard with her back facing us and occasionally turns around to mouth words to her ‘other actors’ on stage. Before long you find yourself sucked into Henrietta Lacks’ world, […]
Striking set sizzles [by Sharu Delilkan] When I heard that the NZ Opera was finally staging Don Giovanni, after it had been performed at the Christchurch Arts Festival last year, I was adamant not to miss this larger than life production. And unlike some productions that promise a lot and deliver very little, this NZ Opera production not only met […]
Earnest goes Wilde [by Sharu Delilkan and Tim Booth] It’s interesting that The Importance of Being Earnest is often performed as a ‘straight’ interpretation, which is ironic given the gay essence of the closeted homosexual playwright’s well-known work. And to be honest a key reason I was keen to see this version was its premise of a fresh innovative take […]
Easy ride along Sunset Road [by Sharu Delilkan] Only after watching the show did I discover that Sunset Road is Miria George‘s first play focussing on her Cook Islands whakapapa and gave me more insight into why the show was set in the 1970s, charting her grandparents’ story. A multitude of themes resonate within Sunset Road, the same way that […]
Fix transfixes [by Sharu Delilkan] Knowing that playwright Jess Sayer wrote this play when she was 21 is both amazing and somewhat disturbing. Her carnal knowledge of what it is like when someone experiences a personal crisis is phenomenal for someone of such a tender age. However I quickly forget that this is the case as Fix basically sucks us […]
Okareka Wows [by Sharu Delilkan] Being a bit of an Okareka Dance Company junkie I couldn’t pass up the opportunity to see the Auckland debut of their new original piece Mana Wahine. And I realised that I was not the only one there to get their Okareka fix. What can I say but Taiaroa Royal and Taane Mete (Okareka’s artistic […]
Shines, not sparkles [by Sharu Delilkan] Auckland really set the scene for the opening night of Giuseppe Verdi’s renowned opera La traviata with grey skies, cutting winds and the occasional burst of cold rain. On a night like this one might wish for a tragi-comedy or an uplifting story of trials and tribulations overcome by love and devotion. However clearly […]
Great Content, Shame about the Delivery [by Sharu Delilkan] There’s been great buzz around the traps about Londoner Sara Pascoe and although I tried not to, I was expecting a lot from this hot, feminist, vegan, sexually frustrated comedian. As she admits from the start she’s “got it going on” and there’s certainly a shed-load of wonderful weirdness in her […]
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