REVIEW: The Seven Funerals of Charlie Morris (Elephant Nation)

March 7, 2012
Dying of Laughter [by James Wenley] On a routine visit to the hospital after a blow to the head caused by his best friend re-enacting Fight Club, Charlie Morris is informed he has a terminal illness, and his days are numbered. Now that is a profound life changing moment; too big to even begin to understand for people outside of […]

REVIEW: The Last Five Years (Last Tapes)

March 4, 2012
A show to fall in, and out of love.. [by James Wenley] In the middle of Musical The Last Five Years, Jamie and Cathy pledge their loves and their lives in the song The Next Ten Minutes, which  features both a tender proposal (“Will you share your life with me / For the next ten minutes? / …. And if […]

REVIEW: Play Me Deadly (Rebels and Robots)

March 2, 2012
B-Theatre Fun: So bad its good [by James Wenley] Bela Lugosi’s career was rock bottom by the time he was working with infamously bad film director Ed Wood. After gaining success as Dracula in the 1930 film, Lugosi became a regular in horror films. By the 1950s however, he was washed up and irrelevant until Ed Wood bought him out […]

REVIEW: His Mother’s Son (Pacific Fringe)

March 1, 2012
Pacific Stories, Pacific People [by Sharu Delilkan] I have to admit that I’ve not been privileged enough to have see the previous two incarnations of Samoan playwright Leilani Unasa’s critically acclaimed play His Mother’s Son. Originally from Mangere, Unasa bringing His Mother’s Son to the Mangere Arts Centre could not have been more appropriate. The story is a tale of […]

REVIEW: Top Girls (Silo)

February 27, 2012
You Can Be a Successful Woman, Too! (Terms and Conditions Apply) [by Rosabel Tan] When people talk about women having careers, there’s a trade-off implied: You can’t have a career and a family – one will suffer if you try, and if you pursue the former, you’re defeminised: there’s something wrong with you or, at the very least, your womb. […]

New Performance Wrap-up: Show Pony, Providence and Wake Less

February 26, 2012
You want us to do what? [by James Wenley] Show Pony asks you to get naked. Providence asks for a pash. And Wake Less asks you to dinner… among other things.   Three shows where the normal ‘rules’ don’t apply. Three shows where the audience is an important part of the performance. Three shows that made up for one intense, […]

REVIEW: Dance like a Butterfly Dream Boy (New Performance Festival)

February 23, 2012
Testosterone Overload [by James Wenley] The roof of the Aotea Centre has to be one of the coolest places in Auckland to do a show. Overlooked by the large old  Council building, imbued with the colour of street lights, and soundtracked with street noise, sirens and the odd sound of a seagull, it has the type of atmosphere that you […]

REVIEW: Be | Longing: A Verbatim Play (New Performance Festival)

February 23, 2012
Stories from the Source [by James Wenley] New Zealand, famously, is a land of immigrants. Waves of migration over the country’s history have created a rich fabric of cultures, as well as perhaps an uncertain ‘kiwi’ cultural identity. What is it about New Zealand that makes it unique, and what is this discovery like for new arrivals? How do they […]

REVIEW: Invisible Atom (New Performance Festival)

February 22, 2012
Indivisible Atom – Invisible Man [by Sharu Delilkan] His name is Atom as in the bomb, not Adam as in Eve, something Anthony Black pointed out right from the start. He stood on a black platform, which looked a bit like a pedestal and was a great metaphor for a man at his apex. What does it mean to be […]
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