REVIEW: O Nofoa – The Chairs – Sāmoan Season (Te Pou) [Two Reviews]

July 28, 2018
[Welcomed to the Fale] by Gabriel Faatau’uu Satiu Under the direction of Aleni Tufuga (also translated by him in gagana Sāmoa), O Nofoa serves as one part of Te Pou’s multilingual season of Eugene Ionesco’s play The Chairs. The show is an absurdist tragic farce. Paying homage to Ionesco’s absurdity through the deliberate nonsense and broadly stylized performance, the timing of […]

REVIEW: Girl on A Corner (Auckland Fringe)

February 10, 2015
Innovative theatre [by Sharu Delilkan] Victor Rodger‘s premiere of Girl on a Corner is testament that there are multiple ways to skin a cat. The device used in this show provides the audience a multitude of permutations and combinations of ways in which a story line can move in different directions i.e. an innovative style that showcases Rodger’s ability to […]

REVIEW: Taro King (Kila Kokonut Krew)

August 21, 2012
KKK still Kings [by Sharu Delilkan] There was almost a carnival atmosphere when entering the Mangere Arts Centre, a setting befitting the Kila Kokonut Krew’s 10th year anniversary celebrations featuring the production that put the company on the map, Taro King. Unfortunately I don’t have the benefit of being able to compare it with the first time it was staged. […]